This photo works really well — let’s break down why, and I’ll share how you can shoot something like this too.
Why This Photo Is Good
- Killer Light and Shadow Play
- Clean Composition with Repetition
- The Human Element
- Color and Contrast
- Layers
Here’s what I did — and what I recommend if you want to get a shot like this:
• I shot in side light, during golden hour
The light was low and warm, so I made sure the sun was hitting from the side. That’s how I got those strong shadows and that clean separation between light and dark. Don’t shoot with the sun behind you or straight into it — go for that 90° angle.
• I waited for the right moment
The scene looked good empty, but I knew it needed something more. So I just waited. I stood across the street, framed everything up, and let the moment come to me. As soon as that woman stepped into the light, I took the shot. Mid-step is what gives it energy.
• I framed with intention
I noticed the repetition in the chairs and tables — they gave me a rhythm to work with. I lined them up to create depth and draw the eye in. Then I left some space in the frame for someone to enter. That’s important — don’t fill the frame with clutter. Let it breathe.
• I exposed for the highlights
The sun was hitting the wall and her shirt hard, so I metered for those bright areas. I didn’t want any blown-out whites. I’d rather have deep shadows than lose detail in the highlights. If you’re unsure, underexpose just a bit — you can always lift the shadows later.
• I kept the frame clean
I double-checked the edges of my frame to make sure nothing awkward was getting cut off — no poles, no cropped heads, no distractions. That helps the whole scene feel more intentional.
So yeah — nothing crazy, just a good spot, good light, and a bit of patience. That’s all it really takes.
🔴Do you need help in your photography? I offer 1-to-1 online coaching so take the quiz and lets see if we are a great fit: click here.